It snowed again. This is a freakish occurrence in our particular pocket of the world. The snow has accumulated to almost a foot in some places. As I look out the window, I feel like I’m dwelling in some dreamy Scandinavian room with white walls, white floors, a few accents of natural wood, and sparse decor. Pristine and clean.
So, we are home again. As much as I struggle with the lack of light in winter, or the cold temperatures that get into your bones, I am thankful for the creative space that winter provides. It’s always suitable weather to retreat to your favorite corner of the couch with some coffee and just think.
There’s been this poem in my head over the past few days–a poem I remember reading years ago–but couldn’t remember exactly where I’d first read it. After some digging, I was delighted to find it again. It’s by one of my favorite poets, Robert Hass. The poem, “The World as Will and Representation,” is featured on one of my favorite poetry blogs, How a Poem Happens. In this post, Hass shares the poem and discusses the process he went through to write it, as well as the process he goes through to write many of his poems.
I enjoy getting to see a bit of the “behind the scenes” in any creative work, because in my own experience, “behind the scenes” is not a composed, refined, or finished space. It is not a pristine Scandinavian room.
This particular poem that Hass shares is a narrative poem about his childhood. I suppose it suddenly came to me because I’ve been working through a few narrative poems this week and I feel that I tend to get stuck inside of them, obsessing over the details and order of how things happened, which tidbits are important to include, which things should be left out for the sake of the story and the rhythm, and what, in the end, the meaning of the story is, what the heart is. Hmmm…sounds a bit like life.
I like that Hass says he can come back to a draft after months or years before it is finally finished, and that certain poems, no matter how much struggle has gone into them, don’t ever come together, but how these poems are often precursors to the ones that just flow onto the page with ease.
The creative process is a mysterious one–mysterious like the snow we keep receiving in this coastal town–like the way our past experiences form the people we are today–like the way our minds suddenly remember something after years of forgetting.
…We get our first moral idea
About the world–about justice and power,
Gender and the order of things–from somewhere.”
That’s all for today…but one more fun tidbit…and a bit mysterious to me…I just realized yesterday that three of my favorite songs by different artists (Coldplay, Gregory Alan Isakov, and Imagine Dragons) are all called “Amsterdam.” There’s something to that city…and I suppose there’s a poem in that.
Any little mysteries in your life recently?